FREMANTLE ARTS CENTRE

1 Finnerty Street, Fremantle

Open 7 days, 10am – 5pm, Free Entry

T 9432 9555

fac.org.au

fac@fremantle.wa.gov.au

From left to right, top to bottom.

 

Tracey Ramsay, Juwulinji (Bow River Community), 2018, ochres, natural, pigments and synthetic pigments on canvas, 90 x 90cm.

Kathy Ramsay, Juwulinji (Bow River Community), 2018, ochres & natural, pigments on canvas, 90 x 120cm.

Kathy Ramsay, Bow River Bridge (2018), 2018, ochres, natural pigments and synthetic pigments on canvas, 100 x 140cm.

Tracey Ramsay, Jack’s Yard, 2018, ochres, natural pigments and synthetic pigments on canvas, 80 x 80cm.

Kathy Ramsay, Gookboo aka Lazy Polly, 2018, ochres, natural pigments and synthetic pigments on canvas, 140 x 100cm.

Tracey Ramsay, Walbough, 2018, ochres, natural, pigments and synthetic pigments on canvas, 90 x 120cm.

Marika Riley, Every hundred metres, 2018, ochres, natural, pigments and synthetic pigments on canvas, 50 x 150cm

 

Photography by Jessica Wyld.

bodywork

Until – 22 Nov

 

 

Morphing figures, performing bodies and pop icons populate Bodywork, an exhibition that brings together mid-career Australian artists Amber Boardman (NSW), Tarryn Gill (WA) and Kaylene Whiskey (SA). Featuring soft sculpture, painting and video, Bodywork focuses on the body as a site for experimentation and self-expression, while exploring ideas

 

Tarryn Gill, Limber (1), 2020,

mixed media, including hand-stitched Lycra, EPE foam and fibre fill, artificial eyes, steel, 1.1m x 3.7m x 1.25m. Courtesy of the artist and Gallery Sally-Dan Cuthbert.  Photograph by Pixel Poetry

Michelle hamer: Are you having a good night?

Until 22 Nov

 

Are You Having A Good Night? is Victorian-based artist Michelle Hamer’s first solo exhibition in WA. For years, Hamer has documented aggressive and patronising language aimed at women. In this new series of intricate hand-stitched works and drawings she continues her engagement

with the threatening language many women face daily.

 

 

Michelle Hamer, There is No Threat (detail), 2019, hand-stitching on perforated plastic, 51 x 66cm.

Image courtesy & copyright the artist

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